My recent works reimagine trees and landscapes as luminous, almost architectural forms — “cathedrals” of light and matter. Through these, I explore how colour can function as a bridge between the physical and the mythic, drawing attention to the sacred dimensions of the natural world.
Through Dark Forest, I explore immersion, vertigo, and the perceptual shifts that occur when the familiar becomes strange. The paintings are at once a journey into the depths of the forest, the folds of the mind, and the architecture of light and colour. They dwell in the in-between, where natural patterns, memory, and abstraction converge.